Changing the colors in a room is an instant way to change its mood, signal a new season, and nod to trends. An easy, affordable way to do so is with colored glass. There’s a reason so much Depression glass—glassware manufactured during the Great Depression and often given away as a gift with purchase—is pink, green, pale blue, or amber: It was meant as a cheap and cheerful pick-me-up.
Depression glass has become highly collectible recently, and colored glass in general is appearing in the most stylish homes, restaurants, and hotels. Retro trends such as grandmillennial chic and newstalgia are one reason. Another reason: its low-commitment, highly affordable beauty.
A Colorful History
Through we tend to think of stained glass as the windows commonly seen in churches, just about all colored glass is technically stained glass. The exception is verre églomisé, or reverse painting on glass. Painting on the underside of glass rather than the front makes the imagery less vulnerable to damage. (For centuries mirrors were made via reverse painting, with lead, silver leaf, or other materials applied to the back of glass.)
The inclusion of various metals, oxides, and other elements is what gives glass color. The addition of melted iron, sulphur, and carbon has long enabled glassmakers to create brown or amber bottles to protect contents such as ale from being damaged by light; adding selenium is a time-honored way of producing red glass.
While people were creating glass, colored or otherwise, as far back as 2000 BCE, the Venetians of the Middle Ages and the Renaissance transformed the art, introducing one innovation after another: cristallo, a truly clear colorless glass and a precursor to crystal; enameled glass; calcedonio, which features striations and veins of color akin to agate and other types of chalcedony; millefiori—literally “a thousand flowers”—which uses multiple colored glass rods to create distinctive patterns. The glassmakers of the Venice’s Murano Island continue to innovate, and their products remained prized for the richness of their colors, among other traits.
The glassmakers of Murano also invented milk glass. They dubbed it lattimo, or “milky,” and because of its opaque white color it was considered a substitute for porcelain. Milk glass isn’t always milk white, of course. Jadeite glassware, especially popular from the 1930s through the ’60s, is a form of milk glass.
Pink stemware brings a springlike cheer to plain white dishes; in winter it can be swapped out for ruby or emerald glassware. Find the dining table here and the chairs here. Room by One Kings Lane Interior Design. Photo by Katie Charlotte Lybrand.
This jadeite cake plate brings a dash of nostalgia to the table. Photo by Frank Frances.
Not Just for Drinkware
Replacing clear drinking glasses with colored ones, new or vintage, instantly makes a meal more fun. But colored glass doesn’t have to be relegated to the table. Get inspired by centuries-old cathedrals and line up colored glass bottles and jars by a window to filter sunlight. Lamps, sconces, and chandeliers made with colored glass can bring not just light but drama when turned on. The colored glass ashtrays omnipresent in Mid-Century Modern homes make eye-catching catchalls. And while colored glass may be something of a trend now, its enduring popularity over millennia proves that it is indeed timeless.
The ever-changing assortment of vintage finds from Rose Victoria often includes colored glassware.
Five Favorite Pieces
• Antique Hand-Enameled Wine Carafes. One red, one pale gold, both handblown and decorated with elaborate flowers and vines.
• Set of Four Jax Highball Glasses in Pink. With their raised motifs and translucent hue, these look like in-demand Depression glasses, but they’re new—and dishwasher safe.
• Handblown Murano Glass Candies. Put these in a bowl, and guests are certain to pick one up, convinced it’s a hard candy and not a mini work of art.
• Bubbles Glass Chandelier in Aqua. This extravagant fixture also comes in clear glass, but the way the color of the handblown orbs seems to change in intensity closer to the center adds extra drama.
• Set of Four Blue Ombré Roll-Poly Glasses. In the 1950s and ’60s, the West Virginia Specialty Glass Co. produced the Blendo range of frosted ombré glassware. These tumblers, which fade from turquoise to clear and are rimmed in gold, show why Blendo was a midcentury must-have.
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Metal accents add to the ombré tones of the Vaper Vase and make it worthy of display even when it’s not holding flowers.
The translucent green body of the Seeded Glass Table Lamp is made of recycled glass; air bubbles provide the “seeded” texture.
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